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SLEEPING BEAUTIES: DREAM LOG
Bewitched by the thorn's touch, you have been ensnared in the deepest of sleep. Fortunately for you, the world of Faerie doesn't end with the waking.
The world of your dreams is brighter now, more clear than you've ever witnessed it. You've been it before, you think, there fragments of yourself become reality. But now you are somehow more lucid in its presence, and it's more real - something you can reach out and touch.
You find yourself in this world, and you are not alone. Your dreams and those of other join at the edges, pulling into each other along similar threads.
And you are watched by something even greater.
The world of your dreams is brighter now, more clear than you've ever witnessed it. You've been it before, you think, there fragments of yourself become reality. But now you are somehow more lucid in its presence, and it's more real - something you can reach out and touch.
You find yourself in this world, and you are not alone. Your dreams and those of other join at the edges, pulling into each other along similar threads.
And you are watched by something even greater.
OTA
The wind rises and whistles down the narrow streets and high above them, a pinprick of a blood-red moon casts baleful light on sheer walls umarred by windows.
The twins huddle together in an alleyway, covering their faces, trying to hide from the wind and the feeling of being watched.
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This isn't really what he wanted to happen.
As it turns out, the two in the alleyway are the first other changelings he sees.
"Yo! What the hell are you doing over there?"
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It's the fire in particular that's the loudest and black smoke, peppered with cinders and sparks and ash, begins to streak across the sky. The inferno is consuming the beaten homes at an alarming rate, stretching from visible horizon to visible horizon, painting the land in ominous, nightmarish hues of orange and red.
There's someone running ahead of it all, a young man in what might might have once been lavish and well-made but were now charred and torn. He's armed, a golden polearm slung over his shoulder, but his only intention at the moment seems to be to get away.
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The moon glares down on him. It seems to rise a little higher with each step he takes away from campus. Statues of wolves leer at him from every threshold and portico.
He thinks he hears wheels rattle on the stone, and he whips around the corner-- oh, but it's cold here!-- no carriage, just birds.
"Good evening."
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That's where the redhead walks now, following his own footsteps through streets that seem too empty and too lively all at once. It's half-familiar, and he knows the path he's walking but can't remember where he's going. It's frustrating.
He sees motion in the corner, in the shadow of one of the arches, and stops in the moonlight (still red, somehow not a part of his dream). "Who's there?"
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open to one thread
The woman stands before her, long and blonde of hair, clothed in dark browns and olives, a crossbow at her hip. She appears just as she had in the hydra's memory, save for one detail -- she is not moving. She does not speak, does not react. Rather than a person, she is a prop, without action or reaction.
The hydra stands where she had seen herself standing in the memory. She reaches out to touch the plate the other woman, the hunter, holds, sharp, black nails brushing against the ceramic, smearing one of the two drops of blood on its tip. No matter how long she stares, she cannot see what she had seen before-- no farther than the blood, nothing microscopic.
Uneasy, she turns away and leaves the familiarity of the room. Now it is her imagination that supplements her knowledge -- the hall she enters is similarly carved from earth, but unlit.
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Something moves there in the shadows – someone. A woman. She'd blend into them completely if it weren't for the shining blue marks on her skin. Unlike the motionless blonde woman, she is real, and it's clear just by looking at her.
Her black eyes shine; she touches the rough carved wall as if something about it, or about this place, intrigues her. She smiles.
"Hello there," she says. "Do you come here often? Or are you lost?"
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OTA
No, really. It goes on forever, twisting and turning into places that look exactly the same, with bookshelves stuck in the walls and glass windows that show a hazy beige sky filled with clouds. And there's the omnipresent sound of ticking everywhere, filling your ears and distracting you from the possible right way to go.
The typewriter walks the corridor, and in front of him a very, very strange creature runs away. Occasionally, it falls over, but gets back up, dashing in different directions and never, ever staying too long for one to get a good glimpse of it.
This is odd. Very odd. The typewriter frowns, but he keeps following the thing, feeling somewhat paranoid that someone is watching what he is doing.
How can he find a way out of this place?
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"Hello?" he calls impatiently down one of the endless corridors. The first thing he sees is that weirdass motherfucker running down the hallway. It doesn't seem to pay any attention to him as it runs by.
"What the fuck, even."
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ota
He struggles free of burning debris, watching a boulder fly overhead, launched from a catapult. His breathing is ragged, his eyes watering: he begins to run. He doesn't know where, just that he must run, he must hide.
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Once the initial shock has passed, the Dog Girl runs too. She doesn't care where she's going, as long as it's not a warfield. Heck, the distressing quietude of the cloudy place would be very welcome right about now.
And so she bumps into someone else.
"Dude, get outta the way!" she roars, teeth bared.
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OPEN
Despite the deep blue darkness surrounding you, everything else is brightly lit-- the scales on the brightly colored fish shine, almost glowing, bioluminescent streaks on the hides of the dolphins leave light trails. The only thing not lit by this vague and unidentifiable light source is beneath you. Inky blackness stretches out below, but it seems like there may be something lurking down there-- but you can't quite make it out.
If you swim far enough, even back in the direction you came from originally, you'll see that the world curves around noticeably, as if in some kind of round container-- or bowl. Getting close enough to sides, you can make out a world beyond, but you cannot go there. It is brightly colored, perhaps made of coral? And while the distortion makes details difficult to discern, but you can see something shaped like a giant conch shell off in the distance. If there is a sky out there, it's not recognizable as one.
Feferi doesn't care about any of that. She's happily swimming amongst the fish, a little swarm of cuttlefish and there are even some crabs and clams click-clacking about her. It's like meeting an old friend again after a long time, and they frolick without purpose, because it's fun and they can. She laughs when she draws a cuttlefish up to her face and it tickles her with its tentacles.
Re: OPEN
She swims slowly but confidently through the water, though she shows no labor for lack of air. She approaches the fish girl with her cuttlefish and begins to smile. She is very beautiful.
She giggles as the cuttlefish tickles, appreciating the other girl's fun.
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Open
Something continues to niggle at the very back of his mind, something is without a doubt wrong. However, unable to ignore his own curiosity he keeps wandering, a pale hand set on the wall as he continues to move forward, guided in what direction he knows not, but it feels to be the right way.
Eventually, corridor of stone widens to reveal a much more open area lined with stone columns and archways that surrounds an interior garden. Finding comfort in the presence of the trees Anduin quickly takes his leave of the marbled pathway and slips among the foliage. Nearby he can make out the sound of slow moving water and the thought of a small lake comes quickly to his mind, which makes him smile.
However, the sound of approaching footsteps causes him to recoil against the nearest tree. Since his arrival on the castle grounds he hasn't actually physically seen anyone else and as the shadow cast on the stone wall grows larger he readies himself to greet friend or foe.]
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She smiles at him.
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OPEN
Aside from the Dog Girl punching away at the glass cage she sits in. It seems big enough for at least two of her, but she's the only one there. Eventually, she resorts to throwing her (muscled, furry, clawed) weight at the glass wall in front of her. She crashes through. For a moment, she's sure she will fall right through to whatever's below, but instead she lands on soft, cotton-y fluff and gets back to her now less furry feet.
And then, the cage is gone. Or maybe it isn't. She isn't turning back to look at it, that's for certain, so it's up to you. And besides, it hardly matters at all if she happens not to see you. Shouldn't she be seeing someone, though? This place feels emptier than it should.
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It takes him a few seconds to gather himself and respond.
"...You're not hurt?"
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Re: OPEN
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open!
But ah, it isn't a blanket, now is it? It is a vibrant garment, pink silk patterned with colored jacquard, and in his mind's eye, the escort fashions an image of the person who might wear it: someone brazen, ostentatious, and without a care in the world. Shifting to stand, he takes the robe in his hands, holds it out before him as if studying it might sharpen the picture he's crafted, but to no avail.
Nothing comes, though perhaps he's managed to hail a different companion with the show of color. ]
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If the Fairest turns, he might see the being striding over the grass towards him with his hands within his pockets. The typewriter does looks quite out of place here, but he doesn't seem to mind. It's a nice relaxing place, really.
"If I were you, I'd be staring at the sky, not at some pink robe."
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Open to ALL! I lied
But here for some reason trees are growing, towering ancient forest matriarchs whose branches tangle and trail vines. The ground beneath is soft with fallen leaves; the air is cool and dark. Water pools in the hollows of stones, and just out of sight birds are calling each to each.
She stands at the very edge of the oasis, looking out. Her toes brush against the sand; every now and then a stray sunbeam lances across her, heating her metallic skin. She rocks forward onto the balls of her feet, then sinks back again, like a diver on the edge of a deep unknown pool.
Aww, I was hoping to have you all to myself :p ;)
It was gone as soon as he stepped through the markers. The wind was no more, completely calm, and the sun beat down on his shoulders. He was wearing too much for such a place. But he was made of wood and wood wouldn't burst into flames under the sun's gaze. So he walked on. And on. And on. For as long as he had spent in the raging storm, he spent trailing through the endless ocean of sand with nothing to guide him.
It was only when he began to despair for a guide that the vision of the trees came over the horizon. They gave him new hope and renewed strength and he picked up his pace, coming toward it at a run. The sun glinting off something gold at the oasis' edge told him a great treasure was waiting for him.
there's more than enough of me to go around ;33
Re: there's more than enough of me to go around ;33
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Apologies for the delay. Was on a much needed hiatus.
No problem!
Re: No problem!
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OTA
He's in a room - his room, he thinks, he remembers - and there are square shaped hives in there will him. The little purple insects buzz around excitedly, and great gobs of sticky, sweet smelling something leak from the bottoms of their homes. Why are the walls covered in red and blue writing, he wonders. Why is there honey all over the goddamn floor?
He doesn't know.
He goes to stand by the window sill, the place where a weird mechanical device is sitting. Outside, there is an entire city of tall, purple beehives with even more bees buzzing around them. Also the beehives are on fire.
"This is stupid," he remarks.
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What's in here, then?
Oh. Bees.
And a lighty person too, she supposes.
"What's up with all the goddamn bees?" she asks. Honey - is that honey? - leaks under her footpads. Gross.
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Open!
An eerie cry echoes from the forest, seeming to come from every direction at once. She startles at the interruption, but once she's recovered she feels only annoyance. It's a trespasser and she plans to get rid of it. She just has to find it first. Picking a tree at random, she starts to climb.
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She waves, smiling.
"Hello there!"
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disregard that last icon she is not a spider
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OTA
It's impossible to reach the ground right now; it never grows any closer, though going higher does make the ground recede even farther. There doesn't seem to be a specific structure to the ground itself at the moment--with no memories to build upon, it seems more like an instinct included for completion's sake.
The messenger darts about in the night sky. Flying is fun, of course--but on the other hand, he'd like to have someone to talk to. He searches around; he can't be entirely alone, he hopes.
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She's standing a little way off, a woman, shrouded in shadow save for a few spots of gleaming blue. It's hard to say how long she's been there, but she's watching him with night-black eyes, one hand raised pensively to her cheek.
"Well," she says, almost indulgently, undisguisedly pleased, whether he's spotted her yet or not, "This certainly makes a pleasant change."
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ota!
The bright green grass is soft — too soft. It seems to mould gently around anything that touches it, and one might think that their feet were made for walking on this grass, that every footstep belongs right where it is. The welcoming blades of grass cover the ground of every rolling hill (and there are many, here; every step brings one up or down, but never straight forward).
The groundskeeper sits upon the highest hill of them all, his colours running together and down along his body. He's not really certain why he picked the highest hill. It just felt like the natural place to be. Maybe it's the vantage point, though that's a bit redundant with the rain everywhere. He's not really sure if it's his rain; it definitely feels like it, and he can see through it just the same (he can see just about everything here, it's nice).
He's comfortably at home atop the hill amidst the strange grass and constant rain, but he'll know if anyone enters his hilly corner of this world.
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"Hello!" she calls, to the sky. "Is that you?"
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OTA!
He was terrified.
It was a creeping, smothering, all-consuming kind of horror, not cold and dead but alive and fantastically cruel. Those few echoes he'd felt of it while awake were nothing compared to this insidious, roaring dread and the searing fingers it wrapped around his heart.
It had a face. It had a name, though he couldn't remember it.
It was after him.
"Wait - "
The man couldn't have been a man at all; he towered twice as tall as any mortal and blistering smoke, stinking of sulfur and scorched earth, poured from between his mangled jaws with every bellow's breath that he took. Heat simmered around the molten cracks that opened up the cavity in his great chest, pouring torrid light across his surroundings, at times a baleful crimson, at others a pulsing, tainted gold, pale and painful as old scars. Every step he took shook the room; his eyes were wreathed in wicked fire.
If he had had the wherewithal to notice, he might have taken stock of his surroundings, the interiors of the temple awash with soothing blues and a misty, unsettling darkness. He might have noticed a figure to his right, standing outside of the center ring and more indistinct than the mist, shrouded in a brilliant light that obscured their features. He might even have realized that for the first time since his wakening, he was not only clothed but armed as well, a golden polearm engraved with ornate designs. He might have, and in a way he did, but only the most distant part of him really noticed or cared.
The monster that bled fire started toward him.
"Father."
[ ooc: A quick note! The Image of Deathwing, as I'm calling him, can't be defeated. The Mysterious Figure will heal grievous injuries and prevent death, but this is a match that can't be won. You can flee the temple, with the untouched dreamscape right outside, but, while delayed, the Image will pursue a certain dragon whelp to whatever other dream he enters or shares. ]
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She is here all the same though. She watches, her black eyes gleaming, and for now she does not intervene.
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"Stop," says a woman, "or you'll spread the mold. It's all over Dante."
"La Vita Nuova," he says, "oh, no." He bends and slips it off the shelf. It's shot through with vines. Poor Beatrice, wound with green and bloody thorns!
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He glances up, a chunk of bread falling from his lips, and the only thing that occurs to him to say is, "Heeeeeh?"
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A boy and a girl | OTA
He rolls out of bed, his bare feet striking the warm stone. The page is wearing a nightgown. He looks up. A grey-bearded man with purple eyes frowns at him. "You killed her, and I have to live with that," the man grumbles. "Don't be such a girl", Huǒ hears a foot to the right.
He turns. It's the afternoon; a light breeze blows down the wide road. The page stares at a nine-year-old boy - an exact double of the page himself. The boy's red hair and purple eyes are duller, though, and his skin is ruddy with sun and a bit of dirt. "Why not?" Huǒ hears from within himself. The voice is higher pitched, like a small girl. "I am a girl, after all. Nothing wrong with it." The page realizes his mouth was just moving. He turns to find this girl who was just talking.
There's a woman standing there, but she's older and standing several strides away. The page is seated on a coarse cushion while the woman stokes a hearth flame. It's dark. The roof is too close for total comfort. It feels like the roof used to be farther away, but when would Huǒ ever have seen it? "It's not right for you to be all alone in that stuffy old castle," the woman says finally, "Goddess knows you need a female influence in your life if you're going to grow up a proper woman."
An arrow lands clumsily at the page's feet. "Watch where you're shooting, *static*!" says the child's voice again. The boy from before is in tears. He's smaller. It's midday. A wooden bar lies at shoulder height just in front of the boy and the page. Both of them are holding bows. The page takes an arrow from a quiver, nocks it, snaps into position, draws the bow, and fires. It's a child's shot, but the arrow hits the target nevertheless. "See? I'm a girl and I can shoot a bow better than you!"
A man stands behind the boy and the page. Huǒ turns to look at him. There's no man there, but a well-kept road stretches to the south and west. If the page turns, a castle is in the distance. If he turns back, he may see a traveler along the road.
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open
And on top of the table lies a feast, the sweetest richest juiciest food he's ever imagined. He hasn't reached the table yet, but he can smell it, and the smell makes his stomach howl. Before he arrives, the sights and the sounds and the smells are intense, but as soon as he gains awareness of his surroundings they snap into painful focus. In the waking world he was literally starving, but now he's ravenous - like the only thing he is and ever has been is hunger.
He shrieks. The beast who is a man becomes a beast again and from twenty feet away he lunges onto the table. He lands on top of the plates and doesn't stop for anything as pointless as utensils, instead seizes everything edible within reach. He barely pauses to breathe as he shoves plate after plate of food indiscriminately into his mouth. At the rate he's eating, no one would be able to savor the taste, but even so everything is unnaturally flavorless. His response is to eat faster, to eat more, and he hunches over the table, bestial, unable to realize that with every passing second he grows hungrier and hungrier.
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As she draws near, the sound of his eating makes her grimace in disgust. She suspects he's not paying attention to anything but the food in front of his face and grabs a plate with half of some delicacy left on it smash against the tabletop. "You're gonna choke, you keep going like that, Chánzuǐ," she says, voice hard. She does not know this young man, but she doesn't want to see him eat himself to death.
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OTA
She has no idea where she's going, what this place is. There aren't any people here from what she can tell. But there's the sensation that it should have others in it. When her eyes search further, there are strange figurines along one of the top some sort of workstation. They're not quite like Trinity, the hydra, but a little bit.
There's a sound outside, and she turns quickly, drawing her gun and going to investigate. It's the sound of feet running. She quickens her pace. Frantic panting is in her ears now, then a scream that isn't wholly human. There is someone here, but they aren't meant to be. The corridors go on much longer than they should. She passes through places that might be familiar, but her attention is elsewhere, her gun ready. She comes into an open bay with stairwells that don't all have rails and spots someone.
"Move and I shoot!" she warns. Her heart is racing, but she manages to keep her voice steady, taking light, sharp breaths.
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The voice is laidback, relaxed, as if being threatened was a particularly normal occurrence, like reading a book, or eating lunch. The typewriter turns, hands in pockets, his mouth quirked upward in a smirk as he stands face to face with the gun.
"What did I do? I swear I haven't touched anything."
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He has to hurry. Whether that's a part of the dream or something else, he doesn't know. He doesn't know if he's chasing something or running from something, only (with the illogical certainty that you find only in dreams) that he can't stop.
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There is a man, or rather, a typewriter standing in the middle of the bridge, hands in his pockets as he looks down. The large glasses perched on his nose shine brightly from the glow from below, and he looks calm. Relaxed. Honestly, he feels he's seen worse than a couple of eerily-glowing paths before.
"Should I just tell you the truth about all of this right now, or should I allow you to keep running on your merry way? Your choice."
2/2 typewriter CR get
GOTTA CATCH THEM ALL
YEAH BASICALLY also oops you get repeat icons sorry
no problemo senor record player
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OTA
Something is wrong in this place, and he has to find it and stop it -- yet as he walks through dark tunnels he cannot place what it is. He should know this place, it's familiar, and yet despite the nagging sense of it all he finds he doesn't.
It frustrates and frightens him.
He shouldn't be alone here, there should be others. There should be others and the thought makes him walk faster, hands reaching out to touch dank, dark tunnel walls as he moves. There is something down here, something terrible, something they had to stop. Something they had to reach. He can hear it whispering, in the darkness, calling to him, shouting and snarling but he can't make out the words.
What is this? Why does none of it make sense?
Yet all the while, his skin crawls. Something is watching him, and the knowledge makes his heart race faster.
He should not be alone, yet he is.